BOOK ASSESSMENT
By Decillis, Danny. PhD in Literature. Duke University. Specialization: Narratology.
Book Title
COMING FOR AMERICA 1 THE ORIGIN
Andayi Mushenye
SUMMARY
Awell-structured and light-hearted memoir that presents a remarkable overview of Andayi’s youth in Kenya. The narrative voice, a combination of youthful innocence with occasional dashes of more mature perspective, allows for the events and considerable exposition to be presented in a very engaging way. The cultural commentary also manages to strike a good balance, observational and factual without being judgmental, contrasting later perspective with the context of the time. Some of the later sections present a slightly different image of the cultural context in which Andayi grew up. The language is highly polished, and the captivating pacing is just right.
STRUCTURE
Memoirs which focus on a perspective of childhood can be tricky to pull off well. If the narration is from a mature vantage, then the story often ends up being more analytical than experiential, full of retroactive knowledge that often precludes any sense of tension. On the other hand, writing from the vantage of a younger version risks becoming too performative and, in many cases, somewhat cloying. This book strikes a remarkable balance of plausibly entering the head of Andayi younger self while retaining just enough insight to provide structure, direction, and a hint of perspective here and there. It works precisely because of this, and because the narration is unflinchingly self-deprecating as well as possessed of a good bit of comic timing.
The youthful innocence of a boy is exposed when Andayi is tricked by a village surgeon into opening his mouth but ends up getting tumbled to the ground where the inside of his throat is hacked twice, ostensibly to get rid of his stuttering. A year later, and not knowing anything about the ghastly rite of passage into manhood, he escapes home to follow his older brother into the ancestral forest where they are circumcised without anesthesia. Before the hemorrhaging stops, they are shepherded deeper into the jungle where they face frightening flare-ups and arduous excursions whose survival will graduate them from boys to men.
The reader is able to share Andayi’s distressing experiences step by step without the benefit of knowing what’s coming around the corner. I can easily imagine this story being told in a very different way, with the circumcision ritual the focus of a memoir focused on trauma and disconnect from cultural roots. But this narration puts the whole culture into context. We understand where the traditions come from, why they persisted, and how the community reacted to challenges, and it’s done in a way that’s honest without being judgmental. Many modern readers in the West would be shocked at the account of the ritual, but Andayi’s self-confidence and pride in surviving – puts the bloody ritual into perspective. We may not agree with it, and indeed it sounds like Andayi himself had reservations, but it’s understandable as something essential rather than capriciously cruel.
The premature elevation to manhood helps frame Andayi’s personality effectively: impulsive, quick to focus on immediate gratification and the perks of adulthood without understanding its responsibilities. And the narration makes it clear that this self-involvement was near-total, with uncompromising assessments of his own failures. The jaw-dropping revelations come across as relatable and entertaining, even if something of a cautionary tale. The frequent and frank modest helps considerably. I think it was a wise narrative decision to delay recounting the various bullying activities conducted in school until later in the book; it’s easier to relate to a class clown than a bully. By the time the reader is presented with this information, they’re already more invested in Andayi’s complicated journey, especially after he has already made the decision to turn his life around and apply himself.
The framing of this volume is good – beginning and ending with two pivotal life events, starting with ghastly surgeries and tribal rituals and ending up at the departure for the US – and the pacing and flow are solid throughout. Overall, it’s a very entertaining as well as eye-opening look at life in African traditional practices as related to Andayi’s life. Multi-volume memoirs rarely hold readers’ attention, but I think this sequence of books, if he has more planned, may prove the exception.
STYLE
Engaging and fluid, with a highly erudite vocabulary framing the grandiose ambitions, failures, and lessons of a younger Andayi in a way that is itself mildly genuine. His perspective is emotional and immediately experiential, without being overly introspective. The story flows with a good sense of comic timing. For a book without that much dialogue, comparatively speaking, the exposition is engaging and clear.
Additionally, the reflective voice of the now adult Andayi slips in a little knowledge here and there that the younger boy didn’t have – e.g. the notion of proper sterilization of medical instruments – which is a gentle but not judgmental observation that gives perspective to the way things were done. The outrage that the young Andayi feels at the physical pain and indignities is immediate and sensorial, rather than indignant. His emotions are somewhat extreme, veering through a rollercoaster of immense pride and self-satisfaction alternating with deeply hurt and agonized reflections of his failures. There’s a bit of fond pride in some of the descriptions of your younger self getting dressed up to go see his sweetheart and enjoying his first soda, a reflective air that has a hint of nostalgia that allows the indulgence of the joy at the time without seeming mawkish.
The hooks and transitions are extremely engaging, and the conclusion makes this title a very compelling read.
LANGUAGE
Highly polished and erudite, with syntax that is often complex but easy to follow.